Digital art functions as a space of visual and conceptual exploration, in which the image is extended beyond representation, integrating technological intervention and algorithmic processes.
The developed projects investigate the relationship between the real and the augmented, between visual experience and technological mediation.
The image is not treated as a final result, but as an open process, in which photography, digital intervention, and algorithmic generation contribute to the construction of meaning.
The projects below are organised as distinct series of visual research — each with its own question, method, and theoretical framework. Projects 1 and 2 are completed and documented. Projects 3 and 4 are in development.
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The series explores the relationship between memory, image, and time in an era where photography no longer documents reality, but generates it. Created through algorithmic generation and digital intervention in Adobe Photoshop (2024–2025), the work proposes a poetic archive of instability — where recurring symbols (the hourglass, the clock, the human silhouette) become the visual matter of introspection.
The series investigates the relationship between the human gaze and digital visuality, questioning the way in which perception is reshaped by the algorithm. Created through algorithmic generation and digital collage (February–August 2025), the work constructs a hybrid space in which human and robotic hands coexist in an unresolved tension — a bridge that does not yet exist, but can be imagined.
"Cartographies of the Threshold. From the Archaeology of Access to the Ecology of Opening" explores the contemporary transformation of the idea of crossing — from a world in which access was desired and obtained through instruments, to one in which opening becomes permanent, yet emptied of function.
Structured as a visual diptych, the project traces the transformation of the threshold from obstacle to décor, and of the key from instrument to relic — proposing a reflection on how the abundance of access reconfigures the meaning of orientation, limits, and traversal.
COMING SOON!!! 2026.
"Safety Languages. Warnings Without Danger" explores the persistence of risk signs in a world where danger has vanished. Signs, markings, and symbols continue to organise behaviours, even though the situations they once announced are no longer present. The project traces the transformation of these codes from instruments of protection into relics of a system that operates autonomously, emptied of its referent.
COMING IN THE NEAR FUTURE!!! End of 2026.
